PRESS
Weaving the Cry Dublin 2010
Best Play: Weaving the Cry
Worthy of a standing ovation.
Weaving the Cry was utterly beautiful... an immediacy and integrity I saw nowhere else last year.
Irish Independent
...Nervousystem make all the right noises...
- Irish Theatre Magazine
- Irish Theatre Magazine
...Nervousystem...obvious dedication and ambition...
- Sunday Independent
...Weaving The Cry must be commended for its ambition …beautiful images throughout the piece...undeniable craft and skill…
- Le Cool
- Sunday Independent
...Weaving The Cry must be commended for its ambition …beautiful images throughout the piece...undeniable craft and skill…
- Le Cool
Weaving the Cry in Santander Spain May 2011
Nervousystem's Workshop – Towards Artistic Autonomy – in Santander, Spain Nov 2010.
A collaboration as part of the international 3-year project Theatre for the XXI Century-Bridges of Voice
The Myth and The Flesh in Valladolid, Spain.
AVERSION
Stunning performances by Regan O’ Brien and Marian Araujo. Mesmerizing music by Dennis Clohessy.
- The Examiner
Aiden Condron’s adventurous company has taken the central core of obsession and comfort from the legend of obsessive and destructive love, to give us a movement performance of impressive despair and rage. Regan O’Brien and Marian Araujo perform with ravaging intensity under Condron’s direction - Sunday Independent
- The Examiner
Aiden Condron’s adventurous company has taken the central core of obsession and comfort from the legend of obsessive and destructive love, to give us a movement performance of impressive despair and rage. Regan O’Brien and Marian Araujo perform with ravaging intensity under Condron’s direction - Sunday Independent
Fire Face
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The daring new theatre company nervousystem...The bravery of this undertaking is arresting...Nervousystem has stepped purposefully onto a path of experimentation...always guided by an assured and compelling strangeness.
- The Irish Times
- The Irish Times
Nervousystem enjoyed a quiet triumph with this elegant adaptation...a production to savour. What was most striking about this production was the clarity of its voice. This was ensemble playing to a very high standard. This was theatre simply conceived and rigourously realized; the result was compelling and enchanting. - Irish Theatre Magazine
